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MUA, ALICANTE 24/01 - 28/02 2007 Museum University of Alicante MUA. exhibition Five Proposals for a Didactics of Abstraction. "cinco propuestas para una didáctica de la abstracción"/
participates ILUMINADA GARCÍA-TORRES (b.1949 Elche, Alicante) TEXT, DIGITAL geometric art, sculpture. For a proposal in abstraction: THE THREAD OF ARIADNE–CODE – IN PROGRESS UTOPIA. Construction of the poetic code : Reflections - free and poetic interpretation - Madrid January 1991, Alicante January 2006
As a result of my encounter with the sculpture of "Sleeping Ariadne" in the Prado Museum, I understood, through its contemplation via the oil paintings that I painted there, that the harmony of the sculpture "Sleeping Ariadne" encodes a semantic, geometric, and mathematical cosmos, which is the origin, the starting point of the path in the combinatorial poetics of "continuous spatial tracing," which since 1991 I have been developing with the same concept of an interactive system of spatial progression for the work, in three COMBINABLE dimensions, textual GEOMETRIC WORDS, pictorial and electronic art THE THREAD OF ARIADNE - CODE - IN PROGRESS UTOPIA, in plastic investigation and with new technologies applied to artistic expression.
From the first line and work of the series The Thread of Ariadne, its code is described, which I develop in the translation of harmony, capturing the energy of the tracing of the line in the space of the square in a single gesture, —emotion of each instant—, which materializes the combinatorial unit light-space-time-line (or crystallizes its trace in pixels), in relationships of proportionality with the variable dimensions of the geometric-mathematical structure—expressive idea of the "square-matrix-universe," the base in spatial modulation.
I interpret the free reading of my creative process as the construction of an idea in poetic progression, through the eurythmy of The Thread of Ariadne in connection with the spatial dynamic between the lines, the singularity of each line traced in space configuring a trajectory toward the light and the geometric flow in the breadth of horizons described by each sequence of images of the poetic code of —The Thread of Ariadne— is linked to the meditation of a utopia.
09-01-07 If the concept serves to define the artistic practice, the works are the necessary expression of the conceptual content of the artistic proposal of the series THE THREAD OF ARIADNE- CODE-INPROGRESS UTOPIA
. Understanding that the works, in their language system to be interpreted, generate a formulation when reflecting upon them, which establishes syntagmatic codes of relationship between the elements that configure them, as well as in the drift of their free and poetic reading.
Consequently, I think that the best artistic proposal would be the conceptual poetics that achieved the integration of the idea with the rhythm and growth of forms in the construction that configures the work, and [whose] poetics would connect with the essential activities of expression.
In art, there are no limits in relation to what aspect, perception, qualities, matter, support... the artistic object or expression could have. NET ART Internet...
The application of electronic technology in artistic practice is a necessary investigation for the evolution of my proposal initiated in 1991 in the field of geometric abstraction —based on relationships of mathematical proportionality between the line traced in the space of the square in the spatial modulation—, which induces me toward new approaches and alternative models of looking at them, incorporating the pixel as a pictorial element in the trace of the stroke.
In the artistic process, the disappearance of the traditional support as a tangible physical object and the transformation of the support into a structure of successive mathematical operations contained within the computer enhances, in my work, the combinatorial possibilities of creating images with geometric and chromatic configurations that I believe would not have been possible without these new media. With the images generated with computer applications, we can continue the expressive investigation of the work by integrating them during the artistic process once again into the traditional supports and expressions of the plastic arts such as painting, engraving, silkscreen, sculpture...
2007 Museum University of Alicante MUA. exhibition "Cinco Propuestas para una Didáctica de la Abstraccion" / participates ILUMINADA GARCÍA-TORRES (b.1949 Elche, Alicante) TEXT, DIGITAL geometric art, sculpture. exhibition Alicante 24/01 - 28/02 2007 Museum University of Alicante MUA. pixelbylight.blogspot.com mua2007
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